(analysis of the Barcarolle. Op.60 in F Sharp Major).
On an allegretto at 12/8, a "cantilena" in thirds is exposed. A second lyrical theme emerges with force and then the intensity decreases. A central episode in A major in triplets leads to a passage "poco piu mosso passionate. Then recapitulation of the "cantilena" in F sharp major, but with rhythmic and melodic changes, before the virtuoso coda all in triplets, long lines in ornamental notes. Four octaves supported fortissimo conclude the barcarolle.